INVESTIGATING AND ANALYZING THE REFLECTIONS OF QAJAR AND PAHLAVI THOUGHTS ON SADEGH HEDAYAT'S THOUGHTS WITH EMPHASIS ON "PENUMBRA" AND "BURIED ALIVE" STORIES

  • Mahsa- Farzaneh Geravi Azad University of Mashhad
  • Majid Taghavi Behbahani Islamic Azad University of Mashhad
  • Reza Ashrafzadeh Islamic Azad University of Mashhad

Résumé

Sadegh Hedayat who his works are important both in Iran and in Europe, but he is one of the pioneers of modern literature in Iran. Sadegh Hedayat is a prominent Iranian writer whose thought in his stories is frustration and despair and is referred to as black literature in Iran and Europe. He began to write in a condition that Iran was under pressure of ruling tyranny and intellectuals were not allowed to express dissent, and a society which always living with superstition and ignorance and not daring to express its beliefs and wisdom, Hedayat uses symbols in his works well and artistically with his admirable skill and by using symbols in a mystical way, he expresses his dissatisfaction with the current miserable conditions and tries to portray the despair of the society and the world.

Bibliographies de l'auteur

Mahsa- Farzaneh Geravi, Azad University of Mashhad

Ph.D. student of Persian language and literature.

Majid Taghavi Behbahani, Islamic Azad University of Mashhad

Doctor, Associate Professor, Islamic Azad University of Mashhad.

Reza Ashrafzadeh, Islamic Azad University of Mashhad

Doctor, Professor, Islamic Azad University of Mashhad.

Références

Etehad, Houshang, (2003), Iranian Contemporary Scholars, Tehran, first edition.

Azadmehr, Shahbaz, (2003), History of Iran (from yesterday to today), Barbad Publications, Tehran.

Azadiyan, Shahram, (2008), Perspectives of Sadegh Hedayat's Story Characters in Relation to Society, Bahar and Adab Magazine, Issue, Winter 2008, Volume 2, Successive 3.

Jafar Yahaghi, Mohammad, (2012), The Streams of Moments, Tehran, 14th Edition.

Dehbashi, Ali, (2001), Memory of Sadegh Hedayat, Sales Publication, First Edition.

Taefi Ardebili, Musa Al-Reza, (1993), Sadegh Hedayat in the Mirror of His Works, Tehran, first edition.

Katouzian, Mohammad Ali Homayoun, (1998), Sadegh Hedayat from Legend to Reality, Tehran, Third Edition.

Hashemi, Mohammad Mansour, (2006), Criticism and Analysis of Selected Stories of Sadegh Hedayat, Rouzegar Publication, First Edition.

Hedayat, Sadegh, (1963), Darkroom, Amir Kabir Publications, Tehran, 7th Edition.

Hedayat, Sadegh, (1952), Afringan, Tehran, Second Edition.

Hedayat, Sadegh, (1952), The puppet behind the curtain, Tehran, Second Edition.

Hedayat, Sadegh, (1952), S.G.L.L., Tehran, Second Edition.

Hedayat, Sadegh, (1952), Varamin’s Nights, Tehran, Second Edition.

Hedayat, Sadegh, (1952), The Last Smile, Tehran, Second Edition.

Hedayat, Sadegh, (1963), Abji Khanum, Tehran, Sixth Edition.

Hedayat, Sadegh, (1963), Water of Life, Tehran, Sixth Edition.

Hedayat, Sadegh, (1963), Buried Alive, Tehran, Sixth Edition.

Hedayat, Sadegh, (1963), French Captive, Tehran, Sixth Edition.

Hedayat, Sadegh, (1963), Madeleine, Tehran, Sixth Edition.

Hedayat, Sadegh, (1963), Haji Morad, Tehran, Sixth Edition.

Hedayat, Sadegh, (1963), Dead Eaters, Tehran, Sixth Edition.

Hedayat, Sadegh, (1963), Fire Worshipper, Tehran, Sixth Edition.

Publiée
2020-03-09
Numéro
Vol. 7 No 3 (2020)
Rubrique
Artigos

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