A ÁGUA COMO ELEMENTO ERÓTICO EM POEMAS DE MARLI WALKER
Abstract
This article seeks to present an analysis from the perspective of Gaston Bachelar's phenomenological criticism of the poems Sobre amor e Saudade and After the rain passes, from the poetic work Águas de Encantação, by the writer Marli Walker, also using a theoretical foundation on eroticism , according to Georges Bataille. The work seeks to identify and understand poetic images and their possible meanings, having water as an erotic element that flows towards the unknown other. The poetic images bring an eroticism that presents intimate desires of the lyrical self that reveal much less anguish due to the risks of throwing themselves at the other than contentment and pleasure, bringing lovers closer to an eroticism similar to that of “the hearts”, according to Bataille. The research methodology can be considered bibliographical. The analysis reveals a lyrical self linked much more to pleasures than to fears due to the risks involved in the erotic movement.
References
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